Middling length reviews of titles that fall under the real world or true crime umbrella.
Middling length reviews of titles that fall under the real world or true crime umbrella.
For the Thanksgiving holiday I decided to rewatch a movie that takes place over Thanksgiving break at a college, Kristy(2014), rather than a Thanksgiving themed movie. Directed by Oliver Blackburn and starring Haley Bennet as the main character and Ashely Greene as the main antagonist, this movie is definitely worth the watch. Kristy focuses on a college girl who stays on campus over Thanksgiving break and then is hunted down by a group of cult members targeting what they consider “Kristy” like women. Currently the movie is available to watch for free with ads on Tubi.
The movie opens to a beaten up car in the forest with a hooded figure sitting inside of it. We flash to someone in a clearing taking photos with their phone of something on the ground. Quickly it is revealed that the dead body of a woman is on the ground with the letter ‘K’ carved into her cheek. Following this there is a montage of what looks like a forum with videos and postings about killing women that are considered to be Kristies which we learn from a voiceover. First and foremost we need to address what a “Kristy” is and why it pisses this group so much. A Kristy is a well liked, privileged, and pretty girl who believes in God and this group believes that by killing Kristy that you are killing God.
The first portion of the movie after we establish that there is a murderous group and who they intend to murder is establishing who our main character, Justine, is and what makes her fit the criteria for being Kristy. Justine has a boyfriend, Aaron, who loves her, has friends, is athletic, and studious. She also seems to know just about every worker she encounters on campus. Not only that but she works part time for work study because she is on an academic scholarship and seems close with her family based on a phone conversation we see between her and her mom about her not coming home for Thanksgiving. It’s established that she’ll be staying on campus due to the outrageous cost of airfare. She won’t be alone though because her roommate, Nicole, is also staying behind.
There’s a sweet scene of her saying goodbye to her boyfriend where he makes some last ditch attempts to convince her to come home with him over the break. After repeatedly declining he makes a recording of him telling her he loves her and he’s off. Flash forward to Nicole bailing because her family is going to Aspen and she doesn’t want to miss out on it. Nicole also tries to get Justine to come with her for the break but again Justine declines. With Nicole gone she’s on her own with the nice dorm security guard for the break.
After spending the day in a well filmed montage swimming, dancing, and making the best of her time alone on campus she decides to take her friend's car and go to the store for some snacks. She is kind enough to ask the security guard if he wants anything and this alone makes me like her and also know that the security guard will unfortunately be killed before the film is over. At the store she sees a hooded girl acting really strange who she has an odd interaction with.
It’s really odd to think but our girl Alice from the Twilight movie series is this hooded girl with piercings, crusty lips, washed out skin, dark sunglasses, greasy hair, and a hood. This strange woman tells Justine she likes her car and then attempts to touch her hair while saying that she’s pretty. Obviously, as most of us would, Justine backs up and swerves that girl hard. This offends the weirdo and Justine is off to checkout. The girl comes and wants to buy the glasses and gets into a tiff with the cashier about a discount. Justine, uncomfortable like any of us would be, offers to pay to end this interaction which further offends the woman who slams a twenty down on the counter and leaves.
Justine exits the mini mart and is faced head on with the headlights of the rundown car from the beginning of the movie, yikes. The car peels out of there and Justine gets in her friend’s car to leave. She ends up in a road incident with said broken down car but manages to make it back to her campus and then dorm. She lets the security guard know this and he says he’ll check it out. It is important to note that this campus is fairly secure for a college campus and you must have a reason for being on said campus if you want to make it past the gate. My own college campus is in a city and this notion is so bizarre to me but it is a major plot device.
Being that the campus is seemingly in the middle of nowhere the electricity, that is being upgraded over break, starts to go on the fritz along with the WiFi. This freaks Justine out when the movie she’s streaming cuts to a failed internet screen. For some reason Justine’s reaction is to bang on the window during the storm to try to get the attention of the security guard making the rounds outside. For what reason I have no clue. Behind her the door opens and the hooded woman is there in her dorm room.
They exchange some words and Justine manages to get out and get downstairs hiding from the group behind the security desk after finding none of the phones work. She hears the security guard by the door trying to get in and she tries to warn him about the killers only for him to be killed. The group convenes and lets Justine know that the hunt for her has begun. The next big chunk of the movie is Justine either hiding from them, or running away from them. Notable moments include Justine finding the dead front gate security guard, getting to the groundskeeper house, getting him and his dog killed, and even jumping off of the library roof.
Regarding Justine as a character I think she’s extremely smart and resourceful but to further the plot and keep the final battle from happening too quickly they have her character do some dumb things. This woman never locks a door behind her, sits down rather than tries to find any weapons in the first half, lets the dog run right out the door, and when she makes it to the road after jumping off the roof she goes back onto campus to try and save her boyfriend rather than get help. She also shouldn’t have survived enough to be able to run around after jumping off of the roof but that’s neither here nor there.
In a rather lackluster scene, the group kills Aaron in front of Justine which is partially his fault for not listening to her and running to her while she screamed at him. This causes Justine to strangely say ‘no’ to them a couple times and then run to Aaron’s car which he’s left running. She’s not quick enough however and one of the group members jumps on the hood of the car. He tries smashing into the windshield to stop her but she rams him into a wall, killing him. This clearly intensifies things and Justine manages to get away to the athletic center. She hides and empties Aaron’s backpack she’s taken from his crashed vehicle and finds the recorder.
In a clever move she uses the pool as a hiding place, holding her breath underwater while one of the group members searches this area. When he has almost given up he discovers the contents of the backpack and knows she’s near so begins searching again. Justine has been army crawling through the bleachers and has placed a hose into the water. This draws the killer’s attention and she then bum rushes him into the pool. They face off underwater and she ends up cracking his neck with his bat.
Justine then goes "Home Alone" on these assholes, killing the next one in the showers by luring him into a stall with a recording of her whimpering. She unmasks him and takes his phone, becoming shocked that she finds the website from the beginning of the movie. This website reveals that this isn’t the only group of killers but just one of many targeting Kristys across the country. She pretends to be one of the group members and responds that Kristy has been killed and is on the way to meet up with the other group members. She ends up confronting the girl from the gas station who seems to be the ringleader and sets this bitch on fire. The movie ends with Justine’s voiceover saying she’s no longer Justine but is now Kristy.
Granted I know it’s not Thanksgiving themed or focused but it does fit the criteria for being around Thanksgiving. This movie has great camera work, good acting, and is well paced. I am still sad the dog died and didn’t even want to go into that part of the movie. All of the plot holes about how she got away or how they found her made sense to continue the plot of the movie so they’re rather easy to look past. If Thanksgiving isn’t your thing but you still want some holiday-ish focused horror then I highly recommend Kristy (2014).
The Companion trailer and descriptions don’t bury the lead, completely up front that Iris, the artificially intelligent (AI) companion robot is a robot that is unaware she is a robot. The audience knows that she becomes aware of this fact during a weekend getaway at a lake house. What we don’t know however is what leads to the discovery and the motivations of the humans around Iris. We know that they know what she is and that they know that she doesn’t know but we only learn what they think about their friend’s robot companion and AI robots in general as the movie goes on.
More bumps in the road appear for our protagonist and the people she allies with after shit hits the fan, and those surprises felt fresh and unpredictable despite the concept being out in the open. Past the reveal point I stayed engaged and felt that the details built out the universe that isn’t much different than our own. Technological advancements aside not much is different between the real world and the one Companion takes place in.
Sophie Thatcher plays Iris and the instances where voiceover or CGI are utilized add to the character fluidly rather than detracting from her performance. They felt intentionally placed to enhance a scene while also revealing capabilities of the robots in this universe that would come into play later on. Supporting characters like Patrick played by Lukas Gage, Kat played by Megan Suri, Eli played by Harvey Guillén, Sergey played by Rupert Friend stunningly perform characters that serve as representations for technology and gender stereotypes that interact with Iris. Jack Quaid’s performance is also stunning but more detail about that will be in the spoiler-filled section of this post below.
Patrick and Eli are a gay couple who are part of the friend group, Patrick having been brought in by Eli who is friends with Kat and Josh. Josh is of course Quaid’s character and Iris’ boyfriend slash owner who is presented to the audience and world as a “nice guy” who has it all aside from a companion to share it with prior to acquiring Iris. Kat, the third friend in the core group connecting the characters, is Sergey’s girlfriend, the guy who owns the lake house they are staying at over the weekend. Kat is up front that her and Sergey’s relationship is one of circumstance rather than passionate love, Sergey having a wife and kids elsewhere. Sergey is automatically interested in Iris as she pertains to sex and sex robots, one distinct group emerging even in the real world as robotic advancements proceed.
There are parallels throughout between expectations for a robot and expectations for a girlfriend, oftentimes the concepts being interchangeable when discussed amongst the characters. Even the lead up to the plot introducing Iris as a robot seems wildly normal as far as what we expect to see in romantic comedies. Despite us following Iris' POV we don’t question off-rip why we only see Iris in any context outside of Josh and her relationship with Josh, she doesn’t have a world of her own. Her world revolves around him as a companion robot but also like a codependent girlfriend.
The rest of this review includes spoilers for the movie Companion (2025) throughout. If you have not seen the movie and want to watch it spoiler-free I highly recommend going to watch it before reading the remainder of this post. The well placed yet subtle surprises in the plot build upon one another in a way best enjoyed first via a watch of the movie. It’s available now to stream on Max if you have a subscription or for rent on the usual apps like Apple TV+, YouTube, and Amazon Prime, priced as a newer rental around $5.99 USD at the time of writing this.
I loved that we opened on a Meet Cute that was so grandiose and perfect that it had to be manufactured in some way, which is confirmed fairly soon after Iris is self aware. Skipping from the Meet Cute to a ride for a weekend away together also made sense and felt like a parallel to a romantic comedy. Often skipping the actual relationship portions of a relationship story in the romance category of media. The monotony is discussed by Iris in her opening narration but we don’t actually see her live that monotony, a first clue that we are missing key context from her POV as the only one available to us at the time.
On the car ride to the lake house Josh “calms” Iris’ nerves by claiming her fears are not rooted in reality—wholly dismissing them and belittling her. He claims for example Kat does actually like her despite her feeling uncomfortable and Kat’s behavior suggesting otherwise. Kat seems wary of Iris and it’s clear to the viewer based on her comments that she takes issue with the idea of AI robots as replacements for women or feminine roles in relationships. In particular Iris is a threat to Kat’s own existence, her telling Iris as much when she explains her dislike of Sergey but wanting to having access to a rich lifestyle via putting up with him. Essentially, if men like Sergey can just buy a robot to be their side piece what will she do?
Patrick and Eli on the other hand appear to have a perfect relationship, almost in comparison to Iris and Josh’s they have a unison and comfortability that the newer couple lacks. Patrick is a part of the group rather than an outsider in comparison to Iris being a newcomer who’s uncomfortable around the group. It reaffirms a potential jealousy that Kat could have towards Iris that she lacks for Patrick, who is a man representing a more feminine role in a relationship. A secondary movie plot is playing out with all of the gender normative stereotypes applied to the characters Kat, Patrick, Eli, and Sergey. There are clues that Josh is the ultimate villain but I had assumed that Iris would be a robot gone rogue rather than multiple relationship nightmares.
After Josh encourages Iris to go out to enjoy the lake without him (which we find out later is planned) she is attacked by Sergey. Sergey quickly attempts to sexually assault her once they are alone, feeling she lacks the ability to say no to him and not seeing her as an autonomous being but a robot. We don’t see the attack initially but rather see Iris come inside covered in Sergey’s blood and holding a knife, stating she didn’t mean to do it. Iris explains she stabbed Sergey in the neck with the knife that she’d discovered in her pocket, via flashback scenes as she tells the group what happened. In a panic Kat runs outside to find Sergey, and Patrick ties Iris to a chair after Josh puts her in sleep mode. Josh implies to Eli that he has no clue why Iris was able to harm Sergey and suggests it could be a glitch.
Josh says they should call the cops and come clean about everything but asks Eli to call them from outside so he can say goodbye to Iris. He wakes her to inform her she’s a robot meant to be a companion and that he has leased her from a company called Empathix. He uses the word “fuckbot” to describe what a companion bot is, his mask gone now that he believes Iris is going down for everything.
Josh shows her he controls her via an app on his phone to prove what he’s saying is true, displaying her language capabilities by the click of a button. He also reveals that everything she believes is a memory is just programming, a backstory that is more of a framework. She counters that their meeting couldn’t have been fake, but he admits he picked from a menu of Meet Cute scenarios when he set her up. This asshole has even been calling her “Beep Boop” which just felt like an LOL in her face prior to her self awareness.
His telling of their real meeting informs that he isn’t as caring and emotionally intelligent as the intro to the movie suggested. The first thing he did when Iris was officially paired with him as her love link was have sex with her. Josh reveals that even Iris feeling pain is part of her programming to make her feel real, including liquid tears made of water that comes from a reservoir inside of her that is topped off when she gets serviced. His demeanor is joyful, enjoying her pain and confusion. She offers that they can make it through the situation and that she can make him happy via cooking, cleaning, and sex but he says that it can’t happen. Iris, confused, asks him why not just as Kat walks in and asks Josh what he’s doing.
Kat asks what Josh is waiting for and to shut her down which leaves Iris shook and he leaves Iris yelling after him to go talk to Kat in a separate room. Iris sees the knife she dropped earlier across the room and begins to make her way over to cut herself free. Kat and Josh are talking in hushed tones, arguing about what the best course of action is but Iris is still able to make out most of the convo as she slowly cuts free in between cutting back to the room.
Big reveal time happening while Iris works on that: Kat and Josh set this weekend up to have Iris kill Sergey to steal his money. Josh clearly believes that he and Kat will be together and that that played a role in their murderous plot. She tells Josh she took the Xanax that Eli had offered her earlier as an excuse to not be as touchy-excited as he is about Sergey’s death, believing her to be in shock that her boyfriend was just killed.
Iris is able to free herself just as Josh has come back and punches him in the throat and steals the tablet. Kat and Iris cross paths and Iris tells Kat how to take care of Josh post throat punch, even recommending when he’d need to go to the ER. Outside Eli is still on the phone with 9-1-1 and Iris comes out, now untied, and runs into the forest, Eli telling Patrick to wait when Patrick tries to tell him. Cut to Josh coming clean to Eli about the mod, which he shows is on the USB drive he plugged into Iris’ tablet earlier that day. He informs them the mod essentially jail breaks her which allows him to turn up her aggression and self defense abilities. Josh’s concern is that Empathix will find Iris before he can reset her and they will then know that she was tampered with.
Josh admits to Eli that they gave Iris a push to kill Sergey by tampering with her but justifies it by referencing Sergey’s mobster activities in trafficking. Kat’s one contribution to this narrative is that he was a terrible boyfriend as an excuse to plot his murder. Josh is completely unbothered at this point about Sergey’s death, especially after they visit the stash pile of money in a safe behind a painting. Inside the safe is piles of cash and a gun, which she claims is just over 12 million. Josh admits they let Eli and Patrick come along to help bolster their stories and offers to cut him in on the deal, now a 3 way split instead of 2. Eli questions why it would be 3 ways when technically there are 4 of them there—another big reveal: Patrick is also a companion robot.
Not only that but Eli has opted to keep him over upgrading the model many times over. For Josh’s part in the plan he says he planted the knife on Iris, but Kat intervenes and declares the offer of 4 million for Eli to find Iris in the woods. Eli calls dibs on the gun in order to hunt down Iris but Josh assures they only need to get in range so Josh can put Iris to sleep and wipe her.
Iris opens the tablet but pauses when she sees the cover photo of her and Josh. She then opens the app used to control her and messes with settings like eye color and voice. In advanced settings she turns her intelligence up to 100%, revealing that Josh had her intelligence set to 40% this whole time. The intelligence meter is only able to be dialed up to “Ivy League Graduate” at the 100 or max level with 0 on the other end being completely docile without command. There’s an inherent cap on how much intelligence to give to the submissive portion of the relationship that is a companion robot.
Eli takes a gun from Sergey’s safe and they all go into the forest to look for Iris including Patrick out of sleep mode. While on the hunt the group splits up and Eli questions if Josh and Kat are hooking up because of the pairing off, which Kat says is gross, shocking Josh.
Patrick and Eli stop and Patrick admits he knows he’s a robot but they confess they love each other regardless of that. Iris is hiding nearby and hears this whole conversation but ends up shooting Eli with the gun during a struggle. Iris then makes her way to Josh’s automatic driving car and tries to get it to drive home, being stopped because her voice isn’t recognized. When Josh realizes she’s stuck there he tries to convince Iris to comply with him until he hears her messing with her voice pitch to start the car. He panics and tries smashing the window, his foot being run over as Iris is able to start the car and back out of the spot.
Josh reports the car stolen however which causes it to stop driving and lock her in the car. Josh calls her at this point and tells her he still loves her and offers her a way out via blaming Patrick for everything. Josh tries to convince her that if she comes back he’ll finally respect her and they can live happily ever after but she wisely points out that him programming her to murder is a big reason to not get back together. She begins to break up with him and this causes Josh’s mask to fully slip as well as spring him into action. Kat is distraught about the plan falling apart but Josh is single minded in his plan, resetting Patrick and linking him to himself in order to utilize Patrick to catch Iris.
When Patrick shows back up with Iris in sleep mode in a police car with an officer dead in the trunk, Kat has seen enough. Kat decides she wants to take her half of Sergey’s money and dip out without Josh. At this point she admits to Josh that Sergey wasn’t a mob boss at all and instead made his fortune in the dirt industry. It turns out Sergey was a man respected in the community who’d made his fortune by honest means. She reveals this when he tries to confirm Sergey’s murder was justified due to him being a Russian mobster. She admits Sergey was a shitty man and misogynist but not a criminal. Josh decides to scrap the nice guy bit, as most nice guys eventually do, and claims she is following a pattern of women in his life. Kat tells Josh she’s not a robot that he can control, alluding to Iris and Patrick, and affirms she will be leaving.
Josh freaks out and commands Patrick to stop her to which he interrupts that as by any means and stabs her in the back with a kitchen knife. The stab is revealed to be a death knell and while Kat is dying she walks over and sits next to Iris who is in sleep mode on the couch. Surrounded by windows in this modern mansion she is bleeding out and thus passing out rather rapidly. She looks out the window at a dark cloud rolling in and says, “It’s going to rain,” in a monotone voice not unlike Iris’ earlier when she recites the weather forecast. In her death and in how she was viewed by Josh was equal to that of a robot in his control, something to deliver a wanted response to him without its own autonomy or opinion on the matter. Josh views people but in particular women as robots.
Josh has Patrick clean Iris up, set a dinner with candles and flowers for them, then cook and serve a dinner to him and Iris. He wakes her up when the food is being served and it’s revealed she’s cuffed to the chair still in German mode. Iris tells Josh she did what she did to survive and that she wanted to live but Josh counters and questions if her life is worth more than Sergey, Eli and Kat’s lives. This reveals Kat is dead and Iris confronts him that Kat’s death isn’t her fault and he can’t blame her for it when she wasn’t there. Josh still blames her however, stating that everything on the trip is her fault to which she informs him she knows about the plan to steal Sergey’s money.
Josh snaps at this point and goes on his incel rant that he is a good guy and his problem is that the “game is rigged” against him. After everything Josh believes he’s a decent man, worthy of good in his life because he’s never done anything. He points out his life consists of a small dwelling and a robot for a girlfriend, which is rather harsh to say to said robot. He admits he doesn’t own her but that she is in fact a rental but he also appeals to her that she knows him better than anyone and can confirm he’s a good guy. She begins by agreeing that she knows him, listing his preferred coffee order and how he likes his bed made, which is what a stereotypical man would want his woman to know about him to take care of him.
Iris quickly confronts him with the truth that his penis is below average sized, his rants about what the world owes him are transparent and not as subtle or far and few as he believes them to be. She calls him a “sad, bitter, weak human being,” regardless of how much money he has. Since he has completely lost control of this interaction he turns her intelligence down to 0 and makes her set her arm on fire via a candle on the dinner table. While her arm burns and tears fill her eyes Josh takes a call from the authorities that the robotics company will arrive in 30 minutes to pick Iris up. Eventually Josh calls Patrick to put Iris’ arm out and after that he gives the command for her to put a gun to her head which she has to obey.
Josh tells her to pull the trigger and rather than instantly doing it like she has other commands she hesitates. Josh has to tell her again and she says, “No,” just as she pulls the trigger and shoots herself through the head. We cut to a van of 2 workers from the robotics company showing up to the lake house to collect Iris and get the story from Josh. Unfortunately for him but fortunately for us he didn’t read the user agreement when he signed for Iris which states she records video and audio of everything she sees and hears for fraud purposes. Not only that but this data is stored in hardware located in her abdomen and not at all in her head, where her wireless remote connection is stored.
He’s spun a bunch of lies and has Patrick dressed in the officer’s uniform to vouch on his behalf to the company that Iris is responsible for the deaths on the property and for shooting herself in the head. If they conclude that she malfunctioned to no fault of Josh then he can get out of paying for the robot and being culpable for the crimes committed by her. We know however that Josh has modded Iris and commanded her and Patrick to do a good chunk of the crimes committed that night.
When Josh learns that the company’s legal department will review the footage after simply booting Iris up in their van outside with minimal damage to her, he snaps on his snap. Outside the 2 workers talk and the seemingly more experienced one tells the other that the malfunction is definitely because Josh modded the robot and that he’s essentially screwed.
In the van we get a little more insight into a world with robot companions served via a company like the fictional Empathix; examples given are target practice and chaining them up for states they’ve recovered robots in. As they go to leave, the more experienced assuring the other that he’ll get used to the fucked up things they see at work, it’s revealed Patrick is standing in the middle of the road that leads out of the lake house property. He’s recognized by the driver who notes they stopped making his model a while ago just as he’s shot through the front windshield.
Teddy, the less experienced tech that came to pick up Iris, runs into the forest, evading gunshots from Patrick. He falls onto the pile of bodies from the weekend at the lake house just as Iris finishes rebooting in the van outside. Patrick catches a bewildered Teddy and tries to shoot him in the head only for the gun to be out of bullets. Patrick instead puts him up against a tree but is interrupted by Iris with a cattle prod.
Unfortunately due to being reset Iris can’t physically hurt Patrick, so he takes the prod and goes to use it on her. Patrick is stropped by Iris asking what Josh told him, to which he informs her that Josh told her everyone was trying to break them up. This resonated as a common tactic manipulators use to keep people in relationships and not listen to outside influences that might open their eyes to the reality of the relationship. Iris is able to stop Patrick by reciting the same lines that he had recited to Eli in the forest that she overheard. She reminds him that is who he loves and we see a glitch of his Meet Cute reverting back to its original state with Eli.
Patrick breaks out of his programming and realizes that Josh used him and he loves Eli who died in his arms. He has memories of moments with Eli of their shared love and he says he can feel it in response to a memory then puts the cattle prod in his mouth and essentially commits robot suicide. A thankful Teddy helps Iris mod herself to freedom and she goes off to confront Josh. She now has self control in part because Teddy believes they are more than just robots, he frees her.
During their confrontation Iris thanks him for freeing her by making her shoot herself to which he calls her a “fucking bitch” angrily. He asks why she even came back and she states essentially she came back for closure, my least favorite excuse for toxicity ever. Josh decides to prove to Iris that he’s not nothing to her and approaches until the gun is on his chest.
He reaches for her face and calls her out that she still loves him which distracts her from her memory of their Meet Cute. Even modded and uninhibited Iris can’t kill Josh because she loves him so she gets thrown into a wall. They both realize, to his amusement and her horror, that Josh’s power over her is mental and emotional, not just technological and physical. He wields this power with no regard for her or others.
Now in control of the situation Josh tells Iris he’s a part of her and can control her that way with no phone. Josh continues to throw Iris around and finally pins her down while on top of her, wanting her to say that he is everything. He then smashes her head into the ground repeatedly until she says that he is everything and he tells her it’s nice to hear her say before pointing the gun at her CPU hardware. Josh stops to tell Iris they had good times together and asks if Iris has anything to add, which she says, “Go to sleep, Josh,” and stabs him in the head with the automatic wine opener. The wine opener proceeds to cork his brain through his skull, leaving him hemorrhaging and eventually passing.
Once Josh is dead Iris’ narration comes over again in symmetry with the start of the movie. She recites the same statements from before that there are glimmers of feeling alive within the monotony of everyday life. In the shower she rips off her burned and charred hand skin-like-sleeve to reveal her metal skeleton-hardware underneath. As the water tumbles over her head and metal hand she chuckles and looking at her hand moving brings a smile to her. It’s a different her that is forever changed but it isn’t necessarily bad. She leaves the broken tablet behind with the photo of her and Josh, her fixated on him in it. She has taken the Sergey money and is off to start a life of her own.
In a post credit scene Iris is driving in Sergey’s red sports car with the top down on a highway and pulls up next to a car driven by a man with a woman in the passenger seat. The woman looks like her, seemingly another model owned by the driver but she has blonde hair. She nods while the guy next to her yaps and Iris catches her attention from outside the window. She waves at the woman in the car with her metal hand and the woman is stunned and confused, which makes Iris laugh.
The movie Influencer, released on the horror focused streaming platform, Shudder, in 2022, takes us alongside a vacation gone awry. An influencer, named Madison played by Emily Tennant, is on a trip in Thailand originally meant for her and her boyfriend, Ryan played by Rory J. Saper, before he broke things off pre-trip. Luckily for her she meets a go-with-the-flow fellow English speaking tourist, named CW played by Cassandra Naud, who wants to show her a more laid back way of enjoying Thailand.
CW has a sweet house to stay in, knows what to do around the area and what places to go, she's even available after-hours to be there in crisis. After a meet-cute start to their relationship the two are instant friends, so much so that if this weren't on Shudder one might assume they would have a once in a lifetime vacation filled with lessons, growth, and healing. Unfortunately for Madison this is a horror movie, and she is ignoring every single red flag CW is waving in her face.
Generally, by the time most of us are adults we have learned the hard way that if something is too good to be true it probably is, Madison however is looking at the world through the luck of the influencer perspective. From the outside looking in it appears that influencers easily lose touch with their former reality (and sometimes reality in general) after gaining clout. Madison seems disillusioned with her life, missing the core pillars of fulfilling days, like non-transactional relationships and being present.
What appears to her clouded glance as a millennial's version of Eat, Prey, Love vacay philosophy by disconnecting with technology is actually an attempt to stay anonymous. What seems like reconnecting with nature on an island is actually a convenient place to kill and dump victims before stealing their identities. What Madison doesn't necessarily learn about CW's murderous ways she goes on to teach us: that it's not about the money and there is no length too far to protect oneself.
Cassandra Naud plays CW who is a chameleon sliding in and out of characters to suit her needs at any given moment. She can quickly turn on a child-like naivety to appeal to a woman more comfortable in a big sister role and then right back into a natural quiet confidence that commands respect when dealing with those that are looking to her for direction. She has a keen attention to detail that slowly unravels as the movie goes on and she finds herself in increasingly close calls with exposure.
At first the POV of the movie is through Madison's eyes, not being privy to CW's intentions or the danger she poses, and life happening to her rather than her happening to those around her. Madison looks to CW as a doorway to a fresh perspective and a new start, someone who can teach her about a new way of life. Heartbroken from her recent breakup, Madison's guard is down when she meets the calm, cool, collected CW at a bar.
After spending time together for a few days CW is there when Madison's room is broken into and her passport stolen. CW offers Madison to stay with her while they work out getting her another passport, approximately two weeks. Overwhelmed by the circumstances, Madison doesn't see the coincidence in timing of the events or any holes in CW's background or reasoning for being in Thailand.
With Madison's affairs squared away with the USA consulate CW suggests they visit an island in the middle of the ocean to escape and disconnect. CW tells Madison she found this island by chance and spends a lot of time in the ocean, other than that we don't learn much about CW's past. We don't find out what happens for sure on the island aside from CW returning to the main island and Madison not.
POV of CW, the plot now follows her as she assumes Madison's identity. Using a blonde wig, camera, and AI-like editing software she's able to transpose Madison's image onto new content. With this new content showing Madison enjoying her disconnection from social media in Thailand she can stave off suspicion while using Madison's credit cards to extend the stay at the luxurious beach house.
Just as soon as Madison's identity has been assumed CW is on the hunt again, showing that no encounters or victims have been by chance. CW has a bulletin board with photos that Madison's is added to, alluding to there being at least four other victims, all looking like Madison-bubbly, long-haired blonde women on the beach. The victim this time however is more attune to the red flags CW lets slip.
Things aren't going as smoothly as they had with Madison, and CW seems challenged but determined with her new victim, Jessica played by Sara Canning, who is more wary of a perfect stranger. Jessica questions CW and can piece together inconsistencies or oddities when talking to her but ultimately falls for adoration of her social media presence and lets CW closer. As suspected Jessica finds her hotel room having been broken into and needing a place to stay, to which CW gladly offers.
Unfortunately for CW Madison's boyfriend, Ryan, didn't take her texts and social media posts as good enough reason to stay away and has broken into the house, using Madison's credit card purchase history to find where she was and planning a surprise dinner to get her back. Upon running into one another in the house Madison and Ryan are both wary, Ryan not believing that Madison had trusted a total stranger enough to stay in a house she's renting and speak on her behalf.
Ryan and Jessica feed off one another's suspicions and grow increasingly weary of CW and the stories she's told them so far. At one point while the three are on a hike Jessica asks CW questions suspecting that CW has told both Ryan and Jessica different stories, which she has. CW trips up slightly on the questions and there is a tension filled back and forth between them. It's clear at this point that Jessica is at the very least onto CW and at the worst going to expose her.
At this point in the movie we have switched POV's once and are headed for yet two more. The last two switches between characters we experienced got increasingly unexpected and at the point where CW and Ryan are left in the beach villa, I figured the movie had reached a natural end only to find out we'd only had a turning point. I won't say much more about the plot to keep some of the best twists a mystery.
Recently I've noticed more experimenting in horror with plots and less common story lines. Rather than trying to find the most unexpected they happen upon the unexpected unexpectedly and transition the story with fluidity. Rather than having a jump-scare sprinkled plot the scares build with tension and an overall sense of discomfort.
With that experimentation we get some gems, like Influencer, that are as deep as the ocean the characters willingly follow one another across. Speaking of which, one moment that stood out to me happened after the first POV switch when we see CW’s process for finding and stalking her eventual victims. Unlike Madison and her relationship woes this woman is more mature, established, and street smart, even hesitant to get to know CW…until CW mentions she’s a fan of her Instagram account.
The moments between these two women juxtaposed to CW when she interacts with other characters is a highlight of Naud’s amazing performance. She can make subtle changes in her delivery that display how manipulating, skilled, and intelligent CW is. To appeal to Madison she's closer to her natural self, bold and confident with more masculine hairstyles, outfits, and mannerisms. To appeal to Jessica CW becomes softer, stealing Madison’s clothes, using a higher pitched voice, and trying to seem as naïve and innocent as possible. The way Naud and the wardrobe, makeup, and hair people can make the subtle shifts so well and even use them as a plot point in her interactions with Ryan, the male addition, left me in awe.
Currently Influencer has a Shudder rating of 4.1/5, an IMDb rating of 6.1/10, and a staggering 92% Tomatometer on Rotten Tomatoes. With an audience score of 72% on Rotten Tomatoes it’s safe to say that most are impressed. Some however, as expected are not as stoked about it, one reviewer writing “How is this movie getting good ratings? So predictable it is not thrilling, not a mystery and not a horror movie,” with a rating of a ½ of a star. Personally, I would give this movie a 4/5, I believe the performances by all the actors and especially Naud push this movie past issues one might have with setting, plot, or script. On top of those good performances the plot itself is interesting, surprising, and going in blind had me shook more than a few times about what direction we would head toward.
If you're looking for New Year's Eve holiday horror movies, Into the Dark: New Year, New You (2018) anthology film follows a group of girlfriends having a New Year's get together that takes a horror turn. Directed by Sophia Takal New Year, New You follows a reunion of friends who have fallen out of touch with their fourth group member, Danielle Williams, played by Carly Chaikin (Darlene in Mr. Robot and Dalia in Suburgatory). Danielle is now a famous social media influencer, the film releasing in the height of the influencer craze takeoff. Danielle is on one of those meteoric rises that can happen on social media and her 3 friends, Alexis, Kaela (portrayed by Kirby Howell-Baptiste), and Chloe (portrayed by Melissa Bergland) are not pleased about her brand or success. Alexis, played by Suki Waterhouse, is the main protagonist but who to root for is a bit twisted. Danielle is portrayed as the antagonist despite the actual action that takes place at this get together. To watch New Year, New You on Hulu now click here.
Early on it is alluded to that something went down between Danielle and the rest of the group that caused them to stop communicating. It's revealed that they haven’t been in contact since whatever this event was combined with Danielle feeling above them in social status now. Danielle is the stereotypical social media influencer of the time, someone with very disingenuous intentions and who promotes the idea of living the “best life” no matter what that life actually looks like. Her fanbase is referred to as a horde of mindless zombies at least twice which goes to the point that she's portrayed as cultivating a fake persona. 2 of the women, Kaela and Chloe, however seem somewhat caught up in the status that Danielle inserts into most interactions in contrast to Alexis who seems agitated with Daneille. Chloe in particular cozies up to Danielle and it becomes clear that she is seen as the failure to launch and feels the most down about her life.
Kaela on the other hand is the most balanced character, fence sitting and willing to be persuaded to anyone's side which leaves her true intentions vague to the viewer. Her backstory of being a closest-ed lesbian in high school makes sense for how the character behaves and she is flourishing in life now that she's started dating a great woman and pursuing a fulfilling career. She seems to have a good relationship with each of the other group members individually and plays devil's advocate multiple times, trying to reason with her unhinged friend group. Since Alexis is the driving force behind their planned attack on Danielle she is the most unhinged and has the worst intentions for the night. The setting is her parent's home and she has a scar on her jaw that alludes to an accident that's caused her to be vengeful now. It's mentioned that she had a breakdown and left college due to whatever happened back in high school between the group of women.
Danielle is very obviously putting on a false nice front but her intentions for this aren't revealed up front and her behavior is a bit out of place, more evidence of the wedge between the group members and her. She shows up and immediately wants to jump right back into their friend group, wanting to share vulnerabilities despite having ghosted them after high school. She constantly brings up influencer related topics and attempts humble brags about her lifestyle that ring obviously hollow. During the scene where we learn more about each character’s background she opts to share nothing about herself but rather push the other characters to bare their souls to her. She’s manipulative and crafty but again, the true reason isn't clear. So it’s not all too surprising that when she is confronted by the other three’s true motives of the night she quickly turns from victim to villain and uses her ability to get inside their heads to attempt to get herself free.
See, the three women have lured Danielle here to force her to confess that she bullied a high school classmate of theirs which resulted in that person committing suicide. In spite of Danielle planning to go more mainstream in the upcoming new year they feel it is only right that the public know the truth about her and essentially get her canceled to stop that rise. Once they have her tied up though Danielle flips the script and reframes the incident when they try to record her confessing, making them out to be the bad guys rather than actually confessing to anything. This works and buys Danielle time so that while Kaela is on FaceTime with her girlfriend and Alexis goes to talk to Kaela, Danielle uses their absence to convince Chloe, the weakest link. As the most weak willed of the group, Danielle convinces her that she can help her live her best life and become social media famous if she lets Danielle go. Chloe of course falls for this and they are now on the same side, the “kill the other 2” side rather than the "extort a confession" side.
This leads to Danielle and Chloe locking Kaela and Alexis into the sauna in the mansion and turning the heat up. They plan to kill them in the sauna to make it look like a plausible accident and then call the police and claim they just discovered the bodies. This is a brutal way to kill someone, especially someone just called a bestie but their plan doesn't reach fruition. Instead Alexis and Kaela bust out of the sauna and go find their devices, following storing them away for the no tech rule at the start of the night. The foil to the original plan allows more plot to unfold and them being trapped evens out the moral playing field between the group members. Sure, they decided to extort Danielle but Danielle would rather kill her friends than confess to a separate crime, so everyone sucks here.
Unfortunately Chloe kills Kaela because Chloe believes she’s coming in between her and her new and better life but that by eliminating her Chloe can have everything she wants. She has a me or them approach and mentality that aligns well with Danielle and her plan. Chloe and Danielle then hunt Alexis around the house like a high stakes game of hide and seek, winner lives. Since she hasn't heard from her Kaela’s girlfriend, Frankie (portrayed by Michelle Haro), shows up concerned which allows Chloe to stab her. It is revealed that her and Danielle have a plan to pin all of the murders on Frankie and frame it as a jealous lesbian gone mad with murderous rage. Luckily, Chloe gets smacked in the head by Alexis and falls down the stairs to her death before this which leads to Danielle and Alexis facing off on the 2nd floor.
After a back and forth battle Alexis pushes Danielle through an upstairs window after Danielle almost kills her. It is in a poetic justice sort of way since the high school situation that kicked everything off resulted in Alexis falling out of the same, now repaired, window. Alexis isn't a hero however and instead steals Danielle and Chloe's plan to pin the murders on Frankie and then absorbing Danielle's social media career. The film ends with Alexis doing a self defense demonstration, something Danielle had said she would do after getting out of the near death experience at the house to capitalize off of the tragedies. Ultimately a gay person goes down for a Home Alone Battle Royale winner-takes-all battle and a detailed version of the high school events that led to the attack aren't revealed.
That Alexis didn’t feel any responsibility is interesting in light of the responsibility that she placed on Danielle when she was in the opposite role. All of the characters do this switch during the film and manipulate reality to fit their narrative best which feels like a nod to influencer culture or could be an accidental deep angle I'm drawing. All 4 women are present and involved in every event but they are jealous of and secretly covet what that one woman has. It is apparent that no character in this movie is totally in the right or righteous, even those that might be close to being in the right do things to facilitate or commit crimes they find heinous. Alexis is clearly mentally unstable but it's unclear if it is because of the high school incident and subsequent breakdown or if she'd always been destined to lose it at some point. Chloe’s character on the other hand is fairly transparent and clear, just maintaining desperation throughout to be perceived in a positive light. With Danielle she wore a mask and eventually was forced to show her true colors when faced with a trying circumstance.
New Year, New You serves as a time capsule of the social media influencer trope that reached a peak around the end of the 2010's decade. Much of what we accept as common knowledge now was simply theory or speculation before, like the idea that influencers were all vapid and self-serving. Now, this seems like a no brainer but the horror twist on it in New Year, New You feels new even many years after this fad has come and gone. Like many other Into the Dark movies it's a rather quick feeling watch but there are some lulls in action that are used to build suspense but don't feel necessary or that they add that much. A lot of the tension building felt like filler because of this and the plot is obvious from the very beginning, more so providing red herrings to make you question your gut feeling rather than it being a misdirect all along. By no means a terrible film and one that's a decent quick watch if you're searching for New Year's horror which is a very small pool of options.
When it comes to Better Watch Out, the 2016 Christmas film directed by Chris Peckover, I didn’t plan on being fully engaged when we put this movie on. It was more of a random choice from a list of holiday movies but I was pleasantly surprised how engaging the seemingly obvious plot becomes. I went in assuming Better Watch Out would be a typical babysitter horror film of being confronted by evil and must defend the child against that evil. Sooner than I anticipated this anticipation was met with an outcome I didn't quite predict. I expected a burglar or group of burglars would break in and then attempt to murder them but instead the danger lurked in a more unexpected origin.
The main protagonist doesn't change however, the babysitter, Ashley, played by Olivia DeJonge, gets more than she bargained for. While she’s babysitting, Luke, played by Levi Miller, has set up a fake intruder with the intention of saving her and then using that knighthood to try and seduce her. He believes there's a mutual interest between the pair and gives off massive budding incel energy, which comes to fruition when he literally feels it is his right to date his babysitter. Enlisting the help of his friend, Garret, played by Ed Oxenbould, helps him accomplish this feat which she does believe initially.
The 2 young boys go as far to convince Ashley that the murderer kills Garret, really instilling just how dangerous they want Ashley to believe the circumstances to be. Despite the audience becoming aware of the revelation that Luke is behind the night she is alarmed and angered. She rightfully tells this demon child to get therapy and attempts to leave. Unfortunately Luke’s obsession knows no bounds and upon this attempt Luke slaps Ashley who falls down the stairs. An unconscious Ashley is then duct taped to a chair and Luke proceeds to torment her with a twisted game of ‘Truth or Dare’.
Ashley’s boyfriend Ricky, played by Aleks Mikic, arrives on scene and after an unsuccessful attempt to knock him out he’s coaxed into being duct taped to a chair alongside Ashley with the threat of being shot. I have to say, as much as Luke is doing awful and terrible things, the actor’s portrayal of this character is what truly makes the movie. From voice cracks to the well acted juxtaposition between sociopathic actions and middle school boy thoughts Miller’s performance is what kept my interest. In a horrifying scene which I am glad they did not fully show, Luke decides that he wants to know what would actually happen if you smashed someone’s head with a swinging paint can like in the movie Home Alone. I have to give it to the actors because despite them not showing it, the reactions of the actors told me everything I needed to know about the gruesome outcome of this wretched experiment.
After this murder the twelve year old mastermind even gets Ashley’s ex-boyfriend, played by Dacre Montgomery (shout out Stranger Things), to come over who he then convinces to write an apology letter to Ashely outside before coming in. Seeing Billy from Stranger Things in 2010’s ‘swag’ fashion had me shook to the core in the best and most hilarious way. Nonetheless, while this is happening Garrett is finally being of some use and coming to his senses as Ashley convinces him that he’s expendable to Luke and the best thing to do is to let Ashley, now tied up in Christmas lights, go. He agrees and begins to untie her. Luke however is outside killing the boyfriend by stringing him up over a branch, armed with what looks like a suicide letter he is confident this murder will just look like the ex-boyfriend, now framed as a guilty killer, taking himself out.
After this Luke goes inside to find Garrett trying to free Ashley and after some dialogue Luke shoots Garrett in the chest, killing him. I didn’t feel as bad as I should have about this because he should’ve stopped Luke far before anyone got killed but then again he did agree to participate in the original fake murderer plan so how innocent was he to begin with. Now defeated and resigned to her fate, Ashley shares a moment with Luke just before Luke stabs her in the neck, killing her. This next part had me triggered. I have been led to believe through the actions of this character that Luke is a criminal prodigy of sorts, willing to go the distance and conscious of evidence that will point his way. He’s even aware of the story of the crime and making it make at least some sense. Do I think he’s created a hard to believe mess? Absolutely. But, I do believe that not many would have assumed he had anything to do with it. However, his grand plan is to pretend that he slept through the whole massacre happening downstairs?!!
Not only that but that the killer had zero interest in harming him or even making sure that he couldn’t identify them. It makes absolutely zero sense to me that police would believe this shit. There are four…..four dead bodies downstairs all killed in gruesome and very loud ways, how the fuck would he have not woken up, even drugged. Also, why would the killer drug him? I understand that the police believe that the ex-boyfriend committed these murders but what a weird way to go about it. If the ex really wanted to kill Ashley why would her babysitting be the time to strike and not when she’s walking outside alone, or home alone, etc. Whatever, this just pissed me off because it made a lot of sense up until he got into bed completely untouched to complete his story and didn’t state that he’d been tortured and traumatized too.
Now, I really liked this next part. After whining to his parents that he has no idea what’s going on and they confirm he’s safe blah blah blah they look out of the upstairs window to see Ashley, my girl, being rolled out of the house on a stretcher into an ambulance. They’re informed that she miraculously survived by placing duct tape over her neck wound, slowing the bleed. Ashley then flips off Luke who is still watching from the upstairs window, and Luke mentions he wants to visit Ashley in the hospital. I would hope that Ashley spills as much as possible in the ambulance ride and at the very least casts suspicion on Luke. Regardless, we hit the credits at this point. Better Watch Out (2016) ended up being a nice accidental find. A Christmas themed horror movie that doesn’t follow many of the clichés and even nods at being a darker version of Home Alone (1990). If you’re looking for something a little more bloody than your average Christmas movie that isn’t littered with Christmas tropes I would recommend Better Watch Out.
Into the Dark: My Valentine (2020) is a Scott Pilgrim vibe that has collided with the post social media music landscape of fandoms mixed with murder. This well lit anthology installation in the Into the Dark franchise uses comic book style editing and sound effects to give a neon feeling to a tale of abuse. Opening with blue haired pop singers, Trezzure portrayed by Anna Lore, music videos and commentary that bolsters her status in pop culture as an up and coming starlet. In opposition to this glamorized blue banged singer a similarly blue haired singer named Valentine Fawkes portrayed by Britt Baron, sings the same charting song in a dive bar. Alongside Valentine her best friend, Julie portrayed by Anna Akana, plays the guitar and has her back when Trezzure stans heckle them.
Valentine makes a point of stating that the song, which is good enough to download for casual listening titled Edge of the Knife, is her own and was stolen from her. Along with her songs Trezzure has purportedly stolen her look, donning the blue hair for herself as part of her image at Royal’s direction. Royal, portrayed by Benedict Samuel, is an eccentric psycho who happens to be Valentine’s ex-boyfriend and business partner. Once they broke up, Royal stole the image, the music, and the brand they were building for himself, finding Trezzure to take Valentine’s place. Royal bribes the bartending manager to close the place early and give them privacy while also ensuring the band that played before Valentine couldn’t get in through the backdoor again.
Once Valentine sees Royal in the club she wants to make a hasty exit but is stopped by both her and Julie’s phones missing from their belongings in the back. Royal has stolen these phones and commences his tyrannical tirade at them by revealing he’s done this before smashing both phones. Stuck with the threat of physical harm Royal attempts what he feels is a confrontation of Valentine for continuing to use the look and perform the songs as her own. Due to Trezzure’s success she has stans that also attack Valentine and accuse her of trying to impersonate Trezzure. By enlisting the help and allegiance of the 3 stans that have shown up to the show, Royal is able to control the entire situation.
It doesn’t make full sense because Royal still cares so much about Valentine despite his success and apparent new love, Trezzure. It becomes clear that the entire thing relies on Valentine’s creative vision and him and Trezzure don’t have material or direction on their own. Through songs and flashbacks the abuse Valentine endured is revealed, showing that despite their instant connection and chemistry he was volatile and unpredictable. Although he claims to only want to confront Valentine and threaten her to relinquish her claims to the persona, Royal escalates things when he stabs and kills Julie. She’d been the one to respond to most of his bullshit spin on his relationship with Valentine and his framing that she is the villain, incensing him. He goes on to murder the bartender that he paid off to leave him alone inside with everyone, a witness to who he is and his motive for being there.
Trezzure eventually joins them inside the bar, coming in from the limo due to not hearing from Royal in a long time. She’s shocked and seemingly disturbed to hear Valentine’s accusations about Royal and he attempts to keep her happy and appeased. He does snap and the mask falls multiple times when he’s interacting with her, taking out his frustrations with Valentine and the night on her. As Valentine recalls via flashbacks her realization that Royal was abusive and couldn’t be saved at the same time that Trezzure realizes the same through his current behavior. The relationship violence flashbacks are parallels to the more tangible damage of Royal’s indiscriminate murder spree at the bar.
Several moments try to break up the seriousness of Royal and display a truly absurd version of him that takes a lot of the bite out of his fearful personage while committing abuse. Him and Trezzure even break out into a full disco dance while Valentine looks on horrified they could do that at a time like that. In addition to moments like this, sound effects over Royal using his knife and zoom in reminiscent of the mentioned Scott Pilgrim break up the serious subject matter. The story itself is predictable but the moments of break in action that often air on the side of comedy aren’t.
Although these moments are included in what seems to be attempts to be unpredictable it doesn’t make up for the lack of depth to the story. There isn’t enough meat on the story’s bones to carry an entire plot and by the reveals and introductions of all characters it’s safe to tune out without missing much else. If one does watch through the slog that can become the center they will arrive at a gruesome and unnecessary death that Valentine and Trezzure weirdly watch happen from start to finish without intervening. This turns into Trezzure pretending she’ll help Royal only to attack him with a piece of stage equipment, her having witnessed Royal beg for Valentine back and reveal he’d discard Trezzure if he needed to.
In a bit of a twist but also somewhat predictable outcome Trezzure wants to continue on as herself and enjoy the fame the persona has granted her. She believes she shouldn’t be punished for what Royal did and deserves to have what she feels she’s worked for. Trezzure even threatens to sue Valentine if she doesn’t relinquish her claims to the persona. Valentine decides to kill her before they leave the bar and instead take back her sunglasses and take on Trezzure’s identity briefly. Once she’s done this it cuts to her “coming clean” as Valentine as if she was just pretending to be someone she wasn’t when using the Paris Hilton style voice that Trezzure has.
As a longtime watcher of YouTube drama I recognized this tale from the beginning: Trezzure is Poppy, Royal is Titanic Sinclair, and Valentine Fawkes is Mars Argo. Mars Argo alleged that she and Sinclair were in an abusive relationship as well as being business partners and that they together created her persona. Along with her persona they created music and upon their breakup Mars Argo alleges that Sinclair took what wasn’t his and started working with Poppy. She alleges that Poppy’s persona and schtick is almost identical to her own and therefore a violation of intellectual property laws but I don’t think it’s gotten traction. Since this initial coverage on niche media of the story Poppy’s career has skyrocketed and the claims don’t seem to be a hindrance.
As a Valentine’s horror movie it is passable but not great, despite it being a love story gone sour that takes place on Valentine’s Day and includes a character named Valentine. It is easy to forget it’s a Valentine’s horror movie because the music industry aspects and story elements take focus. Much of the relationship is via music covered flashback and they also don’t really evoke images of Valentine’s Day when watching. If I put this movie on I find myself just letting it play in the background as I get distracted scrolling on my phone but I wouldn’t say that is necessarily a bad thing. What the movie lacks in depth it makes up for in visually appeasing shots and murder moments that are somehow made silly by Royal.