In all posts you'll find

In this post I argue the thesis: the audience driven success of Get Out (2017) encouraged more money invested in making black horror. This investment resulted in more black voices successfully telling black stories through the genre which helped push the genre forward while validating unspoken pains experienced by many in the community and generating large return on investments.

This type of rage is considered intense in part due to its taboo nature in western society, women going against the “best practices”.

What does the dating scene, fashion industry, and ritualistic cults have in common? Cannibalism.

It always feels like a lot of the problems like minor annoyances to the consumer can be easily fixed with a little tweaking. Yet, a lot of streaming platforms don’t seem to notice or care to fix those little annoyances. That is one thing I will always say positively about Netflix, their user experience and how it is ever evolving in the right direction. Most of my Shudder opinion is going to focus on user experience for these reasons.

Now a full-fledged subgenre with parameters and guidelines evolving in particular around the technology available now and how we use that tech. Back in '99 it didn't make sense for people to have a recording device out unless they needed to, placing large constraints out of the gate for the plots of these movies. As tech became intertwined with our everyday lives, to the extent that in Unfriended 2 it's believable that hackers can tap into the vast network of surveillance cam

The beef is more of a general issue with modern media but nonetheless still a problem and that problem, to put it simply is: the endings don’t make sense anymore. We all remember the final season of Game of Thrones. Eight seasons of beautiful character and world building culminated in a final battle viewers couldn't see and bizarre endings for the most beloved characters. The predictions, hopes, and insights went unanswered and a desire to rewrite history.