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In this post I argue the thesis: the audience driven success of Get Out (2017) encouraged more money invested in making black horror. This investment resulted in more black voices successfully telling black stories through the genre which helped push the genre forward while validating unspoken pains experienced by many in the community and generating large return on investments.

Not too long ago in a place not so far away Black horror meant low budget, badly scripted, comedy-adjacent, straight to TV projects. Rather than a subgenre of horror it was simply a punchline with some notable good additions that tried to break out of that stereotypical box to no longterm avail. From the widespread introduction of the concept the movie stood apart from others immediately in an obvious way: it spoke to Black audiences rather than about Black audiences.

Although many a horror title has tempted the concept of a society unaware of zombies experiencing the zombie apocalypse, like The Walking Dead universe, Night of the Living Dead is the official first. Duane Jones delivers a strong leading portrayal of Ben, a man who is treated like any other man in the film and rather is judged by his actions or ideas rather than the color of his skin.

The movie Candyman 2021 delivers on the promises that the trailer makes, particularly if you're going in not expecting the previous movies to be entirely intertwined in this installment. In the original Candyman that came out in 1992 Tony Todd portrays a fictional but vengeful spirit that kills people who speak his name 5 times into a mirror. Much of the first movie doesn’t pertain to the modern remake & instead takes the legend and develops it into a narrative fit for the ti