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Not too long ago in a place not so far away Black horror meant low budget, badly scripted, comedy-adjacent, straight to TV projects. Rather than a subgenre of horror it was simply a punchline with some notable good additions that tried to break out of that stereotypical box to no longterm avail. From the widespread introduction of the concept the movie stood apart from others immediately in an obvious way: it spoke to Black audiences rather than about Black audiences.

When it comes to Better Watch Out, the 2016 Christmas film directed by Chris Peckover, I didn’t plan on being fully engaged when we put this movie on. It was more of a random choice from a list of holiday movies but I was pleasantly surprised how engaging the seemingly obvious plot becomes. I went in assuming Better Watch Out would be a typical babysitter horror film but sooner than I anticipated this anticipation was met with an outcome I didn't quite predict.

The Halloween franchise strikes again with the next installment, Halloween Kills (2021) directed by David Gordon Green, featuring the Halloween queen herself, Jamie Lee Curtis returning as Laurie Strode. More than one time during this slasher flick I found myself screaming at the screen “WHY?!” when characters made decisions that led to Michael Myers adding another victim to his list of kills.

The movie Candyman 2021 delivers on the promises that the trailer makes, particularly if you're going in not expecting the previous movies to be entirely intertwined in this installment. In the original Candyman that came out in 1992 Tony Todd portrays a fictional but vengeful spirit that kills people who speak his name 5 times into a mirror. Much of the first movie doesn’t pertain to the modern remake & instead takes the legend and develops it into a narrative fit for the ti